Guest review by April Nash
Norwich Theatre Royal's panto is back once again with a ‘Genie-us Norfolk adventure’ - a reimagining of the classic tale of Aladdin where the action takes place in 'Norwich on the Verge', and is one which truly captures the magic of pantomime.
The decision to set the tale in Norwich was a creative choice that I really enjoyed. Owen Evans' performance as the dame Widow Molly Piecrust was a revelation, with an authentic Norfolk accent bringing a delightful local flavour to the show. Paired with returning favourite Joe Tracini as Reg, with his energetic and engaging performance, they formed a dynamic duo that captivated the audience. Joe's physical comedy, ad-libs, and audience interaction were a highlight, endearing him to both children and adults alike.
Lisa Maxwell's portrayal of the villainous Professor Bellatrix Bottomborough was another standout performance, with her over-the-top villainy and memorable mash-up in Act Two. While Aladdin (Tarik Frimpong) and Jazz (Meesha Turner) shared a heartwarming moment on the magic carpet, their overall performances lacked spark as the song choices didn't highlight their vocal strengths. However, the strong ensemble cast, combined with excellent choreography and direction brought the show to life.
In true pantomime style, liberties have been taken with the traditional storyline. An evil professor searching years for a nearby mine and a magic carpet appearing without explanation felt like convenient plot devices. The casting of Tracini in a second role as the Genie was a puzzling choice, and alongside the introduction of another powerful supernatural entity, the "Spirit of the Ring" (played by the talented but under-utilised Morgan Wilcox) only served to muddle the narrative slightly.
The production's strong visual appeal and energetic performances make it a worthwhile experience, with truly stunning lighting, special effects, and an impressive, vibrant set design. The backstage team deserves special recognition for their seamless transitions between scenes, particularly culminating in a dazzling Act One finale, which was a visual spectacle of costumes, music, choreography, and an explosion of gold.
While attending a pantomime as a childless adult offers a unique perspective, Aladdin proves a delightful and entertaining show suitable for all. The enthusiastic engagement of the younger audience members (whose opinion matters much more than mine in this case) was evident. Coupled with an awesome visual feast and abundant comedy, it makes for a fantastic family outing this Christmas. Aladdin continues at Norwich Theatre until 5th Jan.
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